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The accompaniment is bigger, exploring more colours and timbres than the other pieces, and could easily have been written during the last years of the 19th-century. All three pieces are bass-friendly, effective and playable, offering much to performers and audiences alike. The musical style is a little out of date today but the quality of the music still shines through and there is nothing wrong with nostaligic music of another age. Here is salon music of the highest quality and music which deserves its place in our repertoire today. Communication began with Dr. We spent a few hours together and she was delightful and charming company, although in declining health, but made me so welcome and our meeting is a memory I will treasure.
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Recital Music. Three Pieces for Double Bass and Piano. The Heritage Series series The history of the double bass features many player-composers who created a wealth of music for bassists of all abilities.
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So rapid was his progress that he soon became a member of the Jicin Municipal Orchestra and in entered the Prague Academy of Music to study with Frantisek Cerny, one of the Czech capital's leading bassists and teachers. Tulacek graduated in with the highest commendations from his professors, performing the Geissel Concerto at his public graduation concert, and in was offered the post of Solo Bassist in the Zagreb Opera Orchestra. After Tulacek's death the former Principal of the Brno Academy wrote: "I liked him very much because he was not only an excellent and exemplary professor - very meticulous and conscientious, but also an immensely good person, mild and quiet, who never harmed anybody and was loved by all who met him.
Rudolf Tulacek studied composition at the Prague Academy of Music and later with Antonin Dvorak, and his music displays the lyricism and melodic qualities typical of the salon music of the day, alongside compositions of great virtuosity and energy.
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His works for double bass had never been published and the lack of a paper-trail probably resulted in his name not being being better known in the wider double bass community. The more I researched his life and music, the more I realised what an amazing person he must have been.
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He showed outstanding musical talent from an early age and studied violin from the age of six, flute at ten and the following year began his double bass studies. He also studied piano alongside theory, harmony and counterpoint but his studies were interrupted when he father became ill and he has to teach to earn a living.
click He subsequently graduated in , playing Geissel's Concerto in his public recital, and his graduation diploma stated that his musical talent was "excellent" and his mastery of the double bass was "superior". The noble profile of an artistically uncompromising artist who lives at the same time in harmony with his heart and has almost no equal anywhere, permeates his compositions; he is kind to anybody who is good and seeks instruction or information, but he is uncompromising wherever purity of rendition was endangered by shortcomings caused by negligence.
Though he suffered from arterioscleriosis and anemia during the last years of his life, he didn't have any rest.